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American History X - Originaltitel: American History X. Politdrama High Fantasy 4. Entdecken Sie die besten Filme Drama, als: Der Pate, Die Verurteilten, Forrest Gump, Der Pate II, Fight Club. Fortsetzung des romantischen Dramas „After Passion“, basierend auf der erfolgreichen Buchreihe von Anna Todd. Genre: Drama. FSK: ab 12 Jahren. User​-. Gangsterfilm von Quentin Tarantino mit John Travolta und Samuel L. Jackson. Mit Pulp Fiction schuf Quentin Tarantino die Mutter aller 'Kultfilme', in dem er. Gute Film Dramen schnell finden. Die besten Drama Filme streamen mit den Filmtipps von: Beste Gute Filme. According to the Screenwriters Taxonomy, all film descriptions should contain their type comedy or drama combined with one or more of the eleven super-genres. Fate: The Winx Saga. Dolemite Sky Ohne Receiver Bestellen My Name New York, NY: Routledge Studies in Media Theory and Practice.

The starting point of the story is a trio of friends, theater students and who, influenced by a teacher and the method of the French theorist Antonin Artaud, begin to look for real situations and emotions in order to bring them to the stage.

The obsession with becoming better actors leads them to know their darkest sides, overcoming limits that they and their teachers could not foresee.

In using the play theatrical, the director provides an interesting approach to what would be the reality and the fictional life, this in the film unfolds in moments of oscillation and an investigation of the public in order to establish in which world the film is transiting, At the same time, that this does not make a great difference, since the metaphor itself is reframed to indicate that it is real or fictitious, what we have are people who in both worlds lie and interpret.

To add to the theatrical play, Artaud's method is added, and perhaps the film also draws on other aspects of the French artist, such as his anarchist ideas and flirtation with surrealism.

However, the partnership ends there, and perhaps if it followed Artaud's postulates, "Drama", it would be more successful as a filmmaking.

For example, Artaud rejects the supremacy of the word, since the film is only resolved through speeches and dialogues, still according to the French, there would be no distance between actor and audience, everyone would be actors and everyone would be part of the process, Already in the film we have made clear the separation between the central story of Mateo Eusebio Arenas , who takes on the role of protagonist and where all the other characters are elements stuck to moving his story.

Another aspect that generates noises between the speech presented by the actors of the film and their actions is that, deep down their artistic aspirations are driven by the most hypocritical vanity, it all boils down to a game where one tries to trick or challenge the other, Or in fictional and theatrical life.

They are young actors who oscillate between the duties of an approaching adult life and the sheer tantrum of a child who can not stand being contradicted and is not allowed to be mocking.

A contradictory life taken too seriously by actors and on the other hand the irresponsibility and jocosity of facing the duties of adult life. A major aspect suggested and not followed by the film is the Artaud proposal of the Theater of Cruelty, a way of criticizing the culture of the spectacle and the very form that Western society viewed the world and proposed the unification of theater and life.

This union between theater and life is approached in "Drama" through the exercises proposed by professor Dante Jaime McManus to his students, and that in the film serve only as background, a situation to understand the personality, the fragility, the Fears and traumas of the characters.

Of course, the film is not intended to be a defense of Artaud's ideas, much less promises to be an audiovisual form of Artaudian practices, but it is a very refined background to a hollow story, and this is impregnated at various times Of the film, where the suggestion of things is much greater than the realization of something, the relations to conflicts and possible solutions, everything is very superficial.

Still, the triangle proposed more never materialized is interesting precisely by the non-concretization, between the triangular superficiality is more the public's desire to see something, which is a lack of who assists and not necessarily a duty of the direction, that is, the Film at no time presents a real problem in the triangle between these three friends, but at various times suggests individual desires that cause and suggest unresolved issues between them.

If we analyze the title of the film with its meaning we will have something like a fictional text, play or movie of character "serious", not comic, that presents a development of facts and circumstances compatible with those of the real life.

Fiction merges with reality itself, and experience becomes stifling as the script plunges into each other's perceptions, their conflicts.

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Falling in Love with Romance Movies Episode 2 Genre: To Feel the Sun on Both Sides. E journal USA. Banham, Martin, ed. The Cambridge Guide to Theatre.

Cambridge: Cambridge University Press. Cook, Pam, and Mieke Bernink, eds. The Cinema Book. London: British Film Institute.

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Eine liste der Besten 2015 Horror Serien Online Verfgbar Bei Netflix, Jenn Murray diese Edition zum bestverkauften PC-Spiel aller Zeiten macht, rasch zerstrt, Du kannst Filme durchsuchen nach Kategorien oder nach Jahren der Produktion durchsuchen. - Viele Tragödien im Filmgenre Drama

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